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|  | Apollinaire: Selected Poems
Editions:
Apollinaire, Guillaume. Alcools. Paris: Gallimard/Collection Poésie, no.10, 1966.
Morhange-Bégué, Claude, and Pierre Lartigue. Profil d'une œuvre: "Alcools" de Guillaume Apollinaire. Paris: Hatier, 2004.
Critical Studies:
Apollinaire, Guillaume. The Cubist Painters. Translated, with commentary, by Peter Read. Berkeley: University of California Press, 2004.
Décaudin, Michel. "Alcools" de Guillaume Apollinaire. Paris: Gallimard/Collection Foliothèque, no. 23, 1993.
Baudelaire, Charles: Les fleurs du mal
Editions:
Flammarion, Pocket, Gallimard, J'ai lu, Hatier, Bordas, Le Livre de Poche, Larousse.
Critical Studies:
Baronian, Jean-Baptiste. Baudelaire. Paris: Gallimard, 2006.
Launay, Claude. "Les fleurs du mal" de Charles Baudelaire. Paris: Gallimard, 1995.
Martinez, Michel. "Les fleurs du mal," Charles Baudelaire. Paris: Bertrand-Lacoste, 1991.
Pichois, Claude. Baudelaire devant ses contemporains. Paris: Klincksieck, 1995.
Rincé, Dominique. "Les fleurs du mal": Charles Baudelaire. Paris: Nathan, 1994.
Césaire, Aimé: Une tempête
Edition:
Césaire, Aimé. Une tempête. Paris: Éditions du Seuil/Collection Points, 344, 1997.
Critical Studies:
Confiant, Raphaël. Aimé Césaire: une traversée paradoxale du siècle. Paris: Ecriture, 2006.
Hénane, René. Glossaire des termes rares dans l'oeuvre d'Aimé Césaire. Paris: Jean Michel Place, 2004.
Hulme, Peter, and William H. Sherman, eds. "The Tempest" and Its Travels. London: Reaktion Books/Critical Views Series, 2002.
Suk, Jeannie. Postcolonial Paradoxes in French Caribbean Writing: Césaire, Glissant, Condé. New York: Oxford University Press (Clarendon), 2001.
Film about Césaire:
Aimé Césair—une voix pour l'histoire (1994). French with English subtitles. Written and directed by Euzhan Palcy. VHS, 160 minutes.
Corneille, Pierre: Le Cid
Editions:
Larousse, Hatier, Hachette, Pocket, Gallimard, J'ai lu, Bordas, Nathan, Flammarion.
Critical Studies:
Carrier, Hubert. "Le Cid": Corneille: Dossier du professeur. Paris: Hachette, 1992.
Catteau, Aude, and Sainfel, Marie-Christine. Étude sur "Le Cid" de Corneille. Paris: Ellipses, 2000.
Curial, Hubert. Profile d'une œuvre: "Le Cid": Pierre Corneille. Paris: Hatier, 2003.
Ronzeaud, Pierre. Pierre Corneille: "Le Cid." Paris: Klincksieck, 2001.
Sadighi, Niloufar. "Le Cid" de Corneille: livret pédagogique. Paris: Hachette, 1999.
Du Bellay, Joachim: Selected Poems
Editions:
Céard, Jean, and Louis-Georges Tin. Anthologie de la poésie française du XVIe siècle. Paris: Gallimard/Collection Poesie, 2005.
DuBellay, Joachim. Oeuvres poétiques. Paris: Bordas, n.d.
Critical Studies:
Boyer, Frédéric. Joachim Du Bellay. Paris: Seghers, 1973.
Chavanne, Judith. "Les regrets," Du Bellay. Paris: Nathan, 1999.
Rieu, Josiane. L'esthétique de Du Bellay. Paris: SEDES, 1995.
Roudaut, François. Joachim Du Bellay. Paris: University Presses of France, 1995.
Tucker, George-Hugo. "Les regrets" et autres oeuvres poétiques de Joachim Du Bellay. Paris: Gallimard, 2000.
Duras, Marguerite: Moderato cantabile
Editions:
Duras, Marguerite. Moderato cantabile. Paris: Minuit, 1958.
Micciollo, Henri. "Moderato cantabile" de Marguerite Duras. Paris: Hachette/Collection Lire aujourd'hui, n.d.
Critical Studies:
Barbéris, Dominique. "Moderato cantabile," "L'amant": Marguerite Duras: Résumé analytique, commentaire critique, documents complémentaires. Paris: Nathan, 1993.
Bishop, Lloyd. "Classical Structure and Style in Moderato Cantabile." The French Review, XLVII, special issue no. 6 (spring 1974): 219–234.
Cohen, Susan D. Women and Discourse in the Fiction of Marguerite Duras: Love, Legends, Language. Amherst: University of Massachusetts Press, 1993.
Coward, David. Marguerite Duras, "Moderato cantabile." London: Grant & Cutler, 1981.
Kashuba, Sister Mary Helen."Moderato Cantabile": Characters." Beacham's Encyclopedia of Popular Fiction, Kirk H. Beetz, ed., vol. 5. Osprey, Fla.: Beacham, 1996. Also available at www. eNotes.com.
Lebelley, Frédéric. Duras ou le poids d'une plume. Paris: Grasset and Fasquelle, 1994.
Ogawa, Midori. La musique dans l'oeuvre littéraire de Marguerite Duras. Paris: L'Harmattan, 2002.
Pierrot, Jean. Marguerite Duras, 2nd ed. Paris: Corti, 1989.
Selous, Trista. The Other Woman: Feminism and Femininity in the Work of Marguerite Duras. New Haven, Conn.: Yale University Press, 1988.
Film:
Moderato Cantabile. France, 1960. Directed by Peter Brook. VHS: Tapeworm, 1999.
Labé, Louise: Selected Poems
Edition:
Labe, Louise. Oeuvres complètes, rev. ed. Paris: Flammarion, 2004.
(The least expensive, this edition also has the advantage of being very complete, with a good introduction, bibliography, notes, and lexicon by François Rigolot. It dates from 1986 and has been revised for the 2004 edition).
Critical Studies:
Baker, M.J. "The Sonnets of Louise Labe: A Reappraisal." Neophilologus, LX, 1, (January 1976): 20–30.
Rigolot, François. Louise Labé Lyonnaise ou la renaissance au féminin. Paris: Champion, 1997.
La Fontaine, Jean de: Selected Fables
Editions:
Petits Classiques Larousse, Garnier Flammarion, Livre de Poche, Classiques Hachette.
Critical Studies:
Brody, Jules. Lectures de La Fontaine. Early Modern France Critiques No. 1. Charlottesville, Va.: Rookwood Press, 1994.
Bury, Emmanuel. Esthétique de La Fontaine. Paris: SEDES, 1996.
Curial, Hubert. Profil d'une œuvre: Fables de Jean de La Fontaine. Paris: Hatier, 2001.
La Fontaine. Fables choisies, 2 vols. Paris: Classiques Larousse, 1998.
Maupassant, Guy de: Pierre et Jean
Editions:
Hachette, Pocket, Gallimard, J'ai lu, Larousse.
Critical Studies:
Brighelli, Jean-Paul. Guy de Maupassant. Paris: Ellipses, 1999.
Carlier, Christophe. "Pierre et Jean,"Guy de Maupassant. Paris: Hatier, 2003.
Cléret, Anne-Marie, and Réaute, Brigitte. Maupassant, "Pierre et Jean": Dossier du professeur. Paris: Hachette, 1998.
Jaunet, Claire-Neige. Maupassant, "Pierre et Jean." Paris: Ellipses, 1999.
Salem, Jean. Philosophie de Maupassant. Paris: Ellipses, 2000.
Molière: L'école des femmes
Editions:
Bordas (avec un dossier pédagogique), Hatier (avec un dossier pédagogique), Pocket, EMP editions (2 CDs), Gallimard, J'ai lu, Larousse (avec un dossier pédagogique), LDP.
Critical Studies:
Debailly, Pascal. Profil d'une œuvre: "L'école des femmes" de Molière. Paris: Hatier, 2003.
Gignoux, H. L'ecole des femmes. Paris: Hachette, 1967.
Hubert, Judd D. Molière and the Comedy of the Intellect. Berkeley: University of California Press, 1962.
Jasinski, René. Molière. Paris: Hatier, 1969.
Johnson, Barbara. "Teaching ignorance—L'école des femmes." Yale French Studies, 63 (1982): 165–182.
Magné, Bernard. "L'école des femmes ou la conquête de la parole." Revue des Sciences Humaines 37, (145) (1972): 125–40.
Picard, Raymond. "Molière comique ou tragique? Le cas d'Arnolphe." Revue d'Histoire Littéraire de la France 72 (1972): 769–85.
Voltaire: Candide
Editions:
Voltaire. Candide. Paris: Classiques Hachette, 1991. It has an excellent introduction, critical notes, and very good questions following each chapter.
The Classiques Larousse is probably a second best edition.
Critical Studies:
Besterman, Theodore. Voltaire. London: Longmans, Green and Co., 1969. This excellent book has a complete biography, but it is long.
Debailly, Pascal. Dix textes expliqués: Voltaire: "Candide." Paris: Hatier, 1986. Ten important passages are included followed by a very good textual analysis of each. These deal very effectively with themes and style, so they are excellent tools in preparing students to write textual analyses.
Gaillard, Pol. Profil d'une œuvre: "Candide." Paris: Hatier, 1992. Analysis of themes, structure, style of Voltaire, including important historical context and essential elements of Voltaire's life as they relate to Candide.
Messière, Philippe. L'oeuvre au clair: "Candide." Paris: Bordas, 1990. This work is used to help prepare students for the baccalauréat.
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